Category Archives: energy

Tidalpunk: Come Home to the Sea

A picture of a green-blue bay against a blue sky with whispy clouds. Above the bay is a rocky cliff with houses of various colors ascending the hill above it.

Photo by Pixabay on Pexels.com

Many think life on Earth started in the oceans, and while there is scientific debate on that front, there’s no denying that humans have been drawn to the water since before we built the first city on the banks of the Euphrates. With an estimated 80% of the world’s population living within 100 km (~60 mi) of a coastline, it’s no surprise that solarpunk has a sibling that brings this love of the water front and center – tidalpunk.

Tidalpunk takes the environmental consciousness and appropriate technology of solarpunk to the high seas. Sailing ships, autonomous seasteads, and cities flooded by the rising waters of climate change populate visions of a tidalpunk future. I suspect that due to the Moon’s influence on the tides, tidalpunk and lunarpunk will find some interesting synergies.

Return of the Sail

boat classic clouds cruise

Photo by Inge Wallumrød on Pexels.com

The shipping industry currently accounts for 2.3% of carbon emissions, and the industry is targeting a 50% reduction in emissions by 2050. Most cargo ships run on diesel now, but we once sailed the seas using the renewable power of the wind. While having a backup propulsion method available would be prudent, when the wind is blowing, cargo could move without the use of fossil fuels. Low Tech Magazine has written several articles about the potential of bringing back sailing ships as cargo vessels. Our current cargo fleet could even be retrofitted with tethered, kite-like sails.

Seasteading

An artificial island in a rough c-shape. It is covered in grass and has several berths for boats.
Proposed artificial Island in French Polynesia by Blue Frontiers

Seasteading covers a variety of concepts for humans to make their home in the sea. Proponents of seasteading point to overcrowding and a lack of social innovation on land as reasons to move seaward. Some projects that could be considered under this umbrella are Sealand, various underwater habitats, and aircraft carriers.

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A member of Project Entropy demonstrating a delta-style 3D printer

Project Entropy is a solarpunk makerspace flotilla with the aim to address plastic waste in the ocean and convert it into useful objects. The self-described micronation is also experimenting with distributed governance while it expands the frontiers of distributed manufacturing. While the Seasteading Institute and Blue Frontiers have interesting visions of the future, Project Entropy is making it real right now. Another project already on the water is the Flipiflopi, a boat built entirely from plastic recovered from the ocean and roadsides in Kenya.

A muli-colored sailboat sits in shallow water just off a white, sandy beach. Many people are on the boat and the shore. A Kenyan flag flies high above the solar panel on the boat.

The Flipiflopi recycled boat

The SeaOrbiter science vessel is one of the most exciting projects happening in the space. Planned as a full-time, ocean-going science vessel, the SeaOrbiter will have on-board laboratories and allow extended observation of the ocean. Parts of the ship will be kept at higher pressure to allow scientists to dive more often than would be possible from a surface vessel due to decompression issues like the bends.

A profile view of the SeaOrbiter science vessel. It has a large mast which pokes 27 m above the waterline. Another 31 m of the vessel are below the waterline. The vessel has various living quarters, laboratories, and is powered by wind and solar.

A profile view of the SeaOrbiter

Flooded Cities

boat near to dock

Photo by Daniel Frank on Pexels.com

Venice is the most well known flooded city in the world, but rising seas will soon give the world a number of similar locales. Even Venice is preparing for rising floodwaters with the MOSE Project, a giant flood gate designed to mitigate the worst tides from the Adriatic. NOAA has built an Interactive Sea Level Rise Map to show what areas will be most impacted by different sea level rise scenarios. In the US, Miami is particularly vulnerable since it’s geology precludes a flood gate or wall system like MOSE.

Where to Start

If tidalpunk sounds like something you’d like to investigate further, here are some resources to check out:

Do you have any experiences with tidalpunk? Let us know below or send us a comment on Sunbeam City. Thanks for coming aboard!

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The Upcycle — A Review

UpcycleCoverSpiral1-2

The Upcycle by William McDonough and Michael Braungart is the followup to Cradle to Cradle. Written in 2013, it brings a decade’s worth of new information and experience to the concept of Cradle to Cradle design thinking.

If you’re interested in the circular economy and can only read one book – this is it. There is a short section at the front that recaps the underlying principles of Cradle to Cradle systems in case you haven’t read the first book. While Cradle to Cradle was groundbreaking for the concept that we should design human industry to be a positive good for the environment, The Upcycle contains many more specific examples of projects where the authors were able to achieve these ends.

For example, in the book there is a story of Dan Juhl who pairs farmers with investors for building renewables on their land. The investors get a guaranteed return on their investment for ten years, and the energy generation equipment reverts to the farmers after this period. More renewables end up on the grid, and families get an additional source of income by owning the means of energy production.

The physical book itself is a nice counterpoint to the design of Cradle to Cradle. While Cradle to Cradle was designed to be reusable in technical nutrient cycles, The Upcycle is designed with biodegradable inks and paper so that it can become a biological nutrient again. One of the main ideas of Cradle to Cradle design is that things should be delineated into two separate nutrient streams: biological and technical. Wood, paper, and things of this nature can be reused as they would be in nature by returning to the land while technical materials like plastics and metals should be reclaimed for infinite technical cycles. Preventing the creation of “monstrous hybrids” is an important goal of the Cradle to Cradle design process. These materials are amalgamations of material that are difficult, if not impossible to separate and reuse. This is particularly harmful if the materials in these hybrids are toxic in nature. The book quotes McDonough, “Let’s put the filters in our heads and not at the end of pipes.”

The Upcycle is a breath of fresh air. McDonough and Braungart show how we can rethink the way we design everyday objects to fit into the constant cycles of Mother Nature and end the insanity of cradle-to-grave mentality. Cradle-to-Cradle design is definitely the way we should be thinking  when we design technologies and objects for our solarpunk future.

Do you use any Cradle to Cradle products in your life? What has your experience been? Let us know below!

Energy: A Human History – Review

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Energy: A Human History by Richard Rhodes chronicles the development of industrial power sources with a focus on the innovators and scientists who developed the technologies. Starting in Elizabethan England with none other than William Shakespeare, Rhodes weaves a compelling tale of the western world’s energy sources starting with the transition from wood to coal in 1600s Britain.

The book paints the picture of the industrialists we now love to hate as human beings with hopes, dreams, and failings. It can be hard to remember after so long that James Watt and Henry Ford were once actual, living beings, and that they had hoped to make the world a better place with their inventions.

Drawing from many primary sources, Rhodes has lifted many gems of what the people of the time found concerning about these new technologies. With references to coal as “the devil’s excrement,” and many other such epithets, one might wonder why such dirty fuels ever became predominant. As Rhodes points out in the book though, industrialization with coal and other fossil fuels led to a near doubling of human life span and a higher standard of living. Rhodes does devote a fair bit of the book to the work that various towns and nations did to combat the air quality problems associated with the use of fossil fuels to varying degrees of success.

Concerns were not just constrained to air quality. Safety of steam engines, locomotives, and automobiles were a great concern of the time. As to cars, we have definitely come out on the wrong end of that technology with many US cities being designed for cars instead of people, but some of the concerns for trains seem amusing now as this quote Rhodes found shows.

“What can be more palpably absurd and ridiculous,” asked a reviewer for London’s Quarterly Review who favored a plan for a railway to Woolwich, “than the prospect held out of locomotives traveling twice as fast as stagecoaches! We should as soon expect the people of Woolwich to suffer themselves to be fired off upon one of Congreve’s… rockets, as trust themselves to the mercy of such a machine going at such a rate… We trust that Parliament will, in all railways it may sanction, limit the speed to eight or nine miles an hour, which… is as great as can be ventured on with safety.”

If you are firmly anti-nuclear, the end of the book will not be to your liking. As a cautiously optimistic person regarding nuclear energy, I feel the author may be a bit nuke-happy. Many of his points in favor of nuclear base loads are legitimate, however. Current nuclear generation technologies have been shown by IPCC and NREL (National Renewable Energy Laboratory) analysts to have a carbon footprint similar to wind and solar. With many cities and states looking at 100% renewable commitments, including nuclear as a base load to counter the intermittency of renewable sources seems reasonable in geologically stable areas. Unfortunately, when states set “renewable” goals for their energy goals, they sometimes include waste incineration, which is both gross and bad for local air quality.

Beside its overly-western focus, the other main shortcoming of the book is its relatively light treatment of renewable technologies. There was very little regarding solar, hydro, and wind, and I’m not sure if geothermal was mentioned at all. I suspect that this was due to a desire of the author to focus on the technologies that were the primary drivers of industrialization. Regardless, I think this is a good treatment of the subject of modern industrial energy sources and the people who brought them to fruition.

Do you have any recommendations for other books about energy generation or transmission? Let us know below!

Solarpunk Phones Part 4: Magic

woman reading a book

Photo by Pixabay on Pexels.com

[This is Part 4 of a series of posts. Here are links to Part 1: Repair, Part 2: Decentralize, and Part 3: Design.]

Despite marketing jargon, I don’t think that we’ve yet reached the point where our technology is “magical.” A cave person might feel differently, but smartphones, computers, and televisions are clearly tools in my eye. There are a few exceptions, but I want devices that more elegantly flow with our lives instead of us molding our behavior around the device.

In stories, magic feels more like an extension of the being wielding the power. Even when the power source isn’t from within the individual, magic is still channeled through the magic user, so they must be in tune with it, but not consumed by it.

Technology that “just works” is a step in the right direction, since few things are as un-magical as having to reinstall drivers. I think we can go farther though. For me, at least, it’s easy to get lost in the technology itself and lose sight of the end goal of the tech. To be truly magical, I think the device and interface need to melt away so we can focus on the real reason we’re using it. At their core, smartphones are devices for communication. How do we make meaningful communication with those we care about easier?

color conceptual creativity education

Photo by Pixabay on Pexels.com

Take the pencil. As long as it’s sharp, most people don’t spend a lot of time worrying about how much it weighs or how thin it is. It gets the job done and you don’t have to think much about the object itself. There are certainly applications like art where the hardness of the graphite is an important consideration, but for the majority of situations, the pencil is incidental to the outcome of wanting words or doodles on the page. The pencil is an extraordinary piece of technology because it works so well that we pay it barely any heed.

A few devices approach this simplicity: e-readers, Pebble smartwatches, smartpens, the Beeline bike navigator, the Typified weather poster, voice assistants, and most calculators. Maybe I just don’t have the headspace for multi-function gadgets, but for me, the more functionality you cram into a device, the more unwieldy it becomes. Perhaps some brilliant UI/UX designer will come up with a way to make the multi-function nature of the smartphone more seamless, but as of now, I find smartphones to be amazing but kludgy.

The people working on the Skychaser solarpunk comic are doing a great job of thinking of magical technologies. You should definitely check them out if this is something that appeals to you.

I don’t have the answers for finding the right balance of functionality and magic but wanted to explore some of the questions with you. Maybe you have some ideas of how to make technology a little more magical. If you do and want to share, please post something below!

Solarpunk Phones Part 3: Rethinking Design

[This is Part 3 of a series about solarpunk phones. Here are links to Part 1: Repair and Part 2: Decentralize.]

There are essentially two extremes to technological design: the all-in-one device or the single-tasker. Take, for example, the knife. There are lots of single purpose knives – paring, cleaver, steak, etc. There are also several different types of multi-function knives, the best known being the Swiss Army knife. Depending on what task you have at hand, you would select the best knife for the job. Out and about, sometimes the best way to go is to carry the Swiss Army knife, but since it’s a multi-function device, it isn’t usually the best tool for the job, even though a lot of the time it is pretty decent at several different things. Unfortunately, the more functions you cram into a Swiss Army knife, the less useful it becomes at any single task. There’s a certain break-even point where it just gets ridiculous.

Image shows 8 Swiss Army knives from left to right with an increasinly large number of functions.

Victorinox pocket knives by quattroman76 under a CC BY-ND 2.0

While smartphones can do a great many things, since they aren’t really designed to do one specific task, they end up sacrificing the ability to do any one thing really well. I wonder if we’ve lost something by trying to unify all of our devices. Our mobile technology has become a monoculture compared to the wide variety of form factors of phones before a single slate of glass became the norm.

Before the consolidation of iPhone-esque design hit the scene, some people thought the future would be a cloud of wearable devices, the Personal Area Network (PAN). While carrying a number of single-focus gadgets on a common network may not be the best solution for everyone, it could be game changing for some. Also, broader acceptance of PANs might lead to more innovation in the smartphone space with regards to form factor. While there are rumblings of foldable phones, I can’t help but think those are merely an evolution of the current iPhone-centric design school.

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Random sketches I made of different hubs/accessories for a PAN-based device

Modular, open source electronics architectures would be a step in the right direction, allowing designers to select off-the-shelf components for inclusion in many different types of devices. The closest things I’ve seen on the market would be the Fairphone, which we’ve mentioned before, and the RePhone Kit, which is an Arduino-compatible phone kit from Seeed Studio. It’s a neat little phone hacking platform that lets people build their own phones. Unfortunately, Rephone is only 2G data capable, meaning no data connection in the US. Motorola gets an honorable mention for the Moto-mods system that lets you add different features to your phone through a special port on the back of their Z-series phones.

Of course it isn’t solarpunk if we aren’t designing with the impact of the device in mind from the beginning. Dominic Muren’s  Skin, Skeleton, and Guts model for product design is one approach to this design problem. When coupled with the Cradle to Cradle idea of separate biological and technical nutrient cycles, I can imagine future devices where the skin of the device is a compostable fabric that can be changed to suit the style of the user, while the metal skeleton and modular, electronic “guts” could be reused in further technical cycles.

TL;DR

In short, when approaching the design of a solarpunk phone, I would want modular components to be at the core to allow for more diversity of form factors like there once was in the mobile space. Also, devices should be designed for the circular economy using safe and reusable/recyclable materials.

Do you have any ideas for what should go into a solarpunk smarphone? Would a PAN be too cumbersome, or do you find that the “Jack of all trades, master of none” nature of the smartphone isn’t worth the trade-offs? Let us know below!

Cradle to Cradle – A review

Book cover for Cradle to Cradle - blue top and green bottom with mirrored vehicle silhouettes

Cradle to Cradle – Remaking the Way We Make Things

Cradle to Cradle by William McDonough and Michael Braungart is about envisioning a better way to manage human interactions with the natural world. The authors ask,

“What if humans designed products and systems that celebrate an abundance of human creativity, culture, and productivity? That are so intelligent and safe, our species leaves an ecological footprint to delight in, not lament?”

Starting from the beginnings of the Industrial Revolution, they analyze the design decisions that led capitalist society to the environmental crossroads it faces today. While things weren’t quite so dire in 2002 when the book was written, its analyses of the pitfalls of rampant industrialization are thorough and thought provoking.

The most refreshing part of this book though is it isn’t just a list of where capitalism went wrong and why we’re all doomed. Cradle to Cradle outlines ways in which designers, engineers, and scientists can work together to deconstruct the current way we make things and redesign our material lives to benefit the natural world. The main idea, which I find to be very solarpunk, is to look at how in nature there is no waste. Everything serves a purpose in the environment. The fruit of the cherry tree feeds birds and animals while those animals spread the seeds of the tree. The droppings of those birds and animals fertilize the ground where the cherry tree and its offspring grow so that they can offer more food. Everything has its place in the cycle.

In one project, a shampoo was redesigned from scratch to only have positive effects by carefully selecting every chemical going into it, including the bottle. Herman Miller had a new factory designed including natural lighting, more ventilation, and a “street” with plants inside to bring nature closer to the workers. As we saw with the Nature Fix, bringing humans and nature together has positive benefits for human health, and by bringing the outdoors in, Herman Miller was able to bring its new focus on environmental sustainability to the forefront.

photo of pile of ripped carton

Photo by Luka Siemionov on Pexels.com

The book isn’t just anecdotes and feel-good aphorisms, it also includes a framework for how to approach design to ensure maximum good. One of the ongoing themes in the book is that so far, most industry has tried to do less bad to the environment when it cares at all, but it’s time to go a step further and see how we can take industry and make it improve the world around us.

A success story in this vein tells of a textile factory in Europe that worked to make a better upholstery fabric for office chairs. When the regulators came to check the factory’s wastewater (effluent), they were confused as the water coming out of the plant was cleaner than that going in.

The equipment was working fine; it was simply that by most parameters the water coming out of the factory was as clean as — or even cleaner than — the water going in. When a factory’s effluent is cleaner than its influent, it might well prefer to use its effluent as influent. Being designed into the manufacturing process, this dividend is free and requires no enforcement to continue or to exploit. Not only did our new design process bypass the traditional responses to environmental problems (reduce, reuse, recycle), it also eliminated the need for regulation, something that any businessperson will appreciate as extremely valuable.

One of the things I’m hoping to investigate further in 2019 is the circular economy, and I think the design strategies outlined in Cradle to Cradle are a good first step in this direction. I found there is a followup book called The Upcycle written in 2013 that I will be checking out from the library soon.

Have you read Cradle to Cradle or have thoughts on the circular economy? Let us know below!

Solarpunk winters

aurora borealis

Photo by Tobias Bjørkli on Pexels.com

As we observe the winter solstice, my thoughts have turned to how solarpunks approach winter. As the days turn dark and cold, how does a society dependent on the sun continue to prosper?

Finland

If anyone knows about how to approach long nights, it’s the people who live at the poles. Finland, which was recently rated the world’s happiest country, has no shortage of darkness given it’s proximity to the Earth’s North Pole. In the northernmost parts of the country, the sun doesn’t rise for 51 days in the winter. Why are they so happy then? A stable government with minimal corruption is probably a contributing factor, along with free healthcare and college programs. In the Nature Fix, author Florence Williams suggests it’s the access to nature. Provided you don’t cut down anyone’s trees or damage their property, there’s no such thing as trespassing in Finland. Unlike in the United States where fences and no trespassing signs prohibit free passage, you can hike from one end of Finland to another without running afoul of the law. Also, the combination of low population density and relatively late urbanization, most of Finland’s population is only minutes away from a Nordic walk in the woods or one of the many wintertime diversions available to residents such as ice skating or cross country skiing. For more, check out this Buzzfeed article that is a nice summary of how Fins stay happy, no matter the weather.

white sheep on farm

Photo by kailash kumar on Pexels.com

Wool

While the vegans in the audience will groan, I feel wool is one of the best resources we have when it comes to staying warm in the wintertime. Since wool is a material that can be harvested without harming the sheep, it seems like a win-win to me. It’s important to look at how you’re sourcing the wool when you get it, but wool from a well-treated sheep will keep you warm at the expense of them getting a haircut. Is wool cheap? No. But, it mother nature has taken millions of years plus a few hundred of human intervention to develop a fabric that breathes well, is the bomb at temperature regulation, and like all natural fibers, is biodegradable. That last part is important since so much of the microplastics in the ocean are coming from washing our synthetic fabrics. REI has a great article about sustainable clothing and textile choices for more info on wool and other options to stay warm in the winter/

Geothermal heat pumps

One way to make sure things stay toasty is with geothermal, or ground source, heat pumps. Often overlooked as a source of clean power, geothermal electricity generation isn’t something that works in all areas. Geothermal heat pumps work just about anywhere though to help keep things nice and warm inside with a minimal investiture of electrical power. In short, geothermal heat pumps replace the HVAC (heating, ventilation, and air conditioning) system of a building and use the Earth as a heat sink. Since the ground is roughly 18 Celsius in most places, you can cool in the summer and heat in the winter with little energy expenditure. According to Wikipedia, these systems offer a 44-75% increase in efficiency over more traditional heating systems. The US Department of Energy has a good overview of the technology.

Solar fluid

In an interesting development announced last month, scientists at Chalmers University of Technology in Sweden have developed a fluid that can store solar energy for up to  18 years. So, excess capacity in the summer could be stored into the winter from your solar array and retrieved when needed. Since the system is heat storage, it can be converted to electricity, or could be used as a means of storing summer’s warmth to heat your home in the winter. The original paper can be found here in Energy and Environmental Science.

Person wearing a black, white, and crimson cape patterned like moth wings. Cape is wider than armspan in width, makeing the wearer appear to have moth wings.

Moth Wings Cape by CostureoReal on Etsy

Lunarpunks

I would be remiss to not mention our lunarpunk cousins here when talking about the darkest time of the year. Lunarpunks are the night dwellers of solarpunk society. They are a subculture within our subculture, favoring the night. Biomimmicry of bioluminescent creatures, moth-themed cloaks, and gossamer fabrics fluttering in the night breeze are some of the aesthetic influences here. Winter would be the lunarpunk’s time to be more active, hosting all kinds of events in the cooler nights from art displays to street festivals.


Do you have any thoughts on what solarpunk winters might be like? Let us know below, or consider submitting a story to World Weaver Press’s call for stories for their Solarpunk Winters anthology which opens in January!